FLOWER SONGS MUSIC
focus on
INDIGENOUS
MESOAMERICAN/MEXICAN
PRESENTATIONS
WORK IN PROGRESS
1970
CHICANO MORATORIUM
my father drove us by
BELVEDERE PARK
on Brooklyn Avenue
(now Cesar Chavez Avenue)
the day of the moratorium
telling us
"this is a day you will always remember"
is what he told us
www.nomadicborder.com/the-chicano-moratorium-50-years-later.html
CHICANO MORATORIUM
my father drove us by
BELVEDERE PARK
on Brooklyn Avenue
(now Cesar Chavez Avenue)
the day of the moratorium
telling us
"this is a day you will always remember"
is what he told us
www.nomadicborder.com/the-chicano-moratorium-50-years-later.html
1975 - 1979
Had the opportunity to attend
EAST LOS ANGELES COLLEGE
while still in high school
and after high school
The Chicano Studies program
started there in 1965
took classes in
philosophy,
psychology
HISTORY OF THE AMERICAS
(was not interested in the mechanics
of music which I did not
start studying until 1977)
Had never heard of or read
THE TRUE HISTORY OF THE CONQUEST OF NEW SPAIN
by
BERNAL DIAZ DEL CASTILLO
a very different point of view from what
we were being taught in high school
which of course led to the writings of
Miguel Leon Portilla and Michael Coe etc.,
the MEXICANIST and MAYANIST of our time
and a fascination for all things
Mexican and MesoAmerican
all the while still playing music
either on
drumset,
then piano,
then marimba,
then north India tabla,
then kanjira and ghatam
all at the same time
all the time
~~~~~~~~~~~~~~~~~~~~~~~~~~
1975 - 1976
1975 - 1976
|
|
EXPERIENCED
a MEXICA - AZTECA
dance presentation
with
MAESTRO
Florencio Yescas
and his group
performing
FUEGO
@
RIO HONDO COLLEGE
(1976?)
one dancer (literally) bent
over backwards while flames
ascended under his back
while Florencio
danced on his abdomen
Never experienced anything like that
before or since
by any other danza ensemble
~~~~~~~~~~~~~~~~~~~~~~~~~~
1979 - 1981
auditioned and accepted at
CALIFORNIA INSTITUTE OF THE ARTS
on a full scholarship to study
North Indian tabla
a MEXICA - AZTECA
dance presentation
with
MAESTRO
Florencio Yescas
and his group
performing
FUEGO
@
RIO HONDO COLLEGE
(1976?)
one dancer (literally) bent
over backwards while flames
ascended under his back
while Florencio
danced on his abdomen
Never experienced anything like that
before or since
by any other danza ensemble
~~~~~~~~~~~~~~~~~~~~~~~~~~
1979 - 1981
auditioned and accepted at
CALIFORNIA INSTITUTE OF THE ARTS
on a full scholarship to study
North Indian tabla
~~~~~~~~~~~~~~~~~~~~~~~~~~
1981
1981
|
|
In 1981 musician Luis Perez IXONEZTLI
from Mexico City was invited to give
a series of lectures and concerts
at UCLA in Los Angeles.
IXONEZTLI plays
Indigenous instruments of Mesoamerica alongside
indigenous instruments far from the Mesoamerican region
e.g.,
instruments of the
Raramuri,
Seri,
Tepehuano
and
Yaqui
The stage was full of instruments which have never
before been side by side in traditional settings,
e.g.,
Mayan wood and clay drums,
Raramuri double sided drums,
Yaqui water drums
and clay breath instruments from
every region of Mexico.
Luis presented traditional and original music
in a very ritualistic way,
in regalia which incorporated several languages
and several regions of Mexico.
He sang songs in various indigenous languages
that he learned from his travels throughout Mexico.
His presentations feature the instruments,
the music, the regalia and the ritual
of various indigenous peoples of Mexico and Mesoamerica
that he learned elbow to elbow from his extensive travels.
He is one of 3 groups of musicians who continue
to record continuously since 1980 with over 100 recordings
of their presentations of the instruments
from Mexico City was invited to give
a series of lectures and concerts
at UCLA in Los Angeles.
IXONEZTLI plays
Indigenous instruments of Mesoamerica alongside
indigenous instruments far from the Mesoamerican region
e.g.,
instruments of the
Raramuri,
Seri,
Tepehuano
and
Yaqui
The stage was full of instruments which have never
before been side by side in traditional settings,
e.g.,
Mayan wood and clay drums,
Raramuri double sided drums,
Yaqui water drums
and clay breath instruments from
every region of Mexico.
Luis presented traditional and original music
in a very ritualistic way,
in regalia which incorporated several languages
and several regions of Mexico.
He sang songs in various indigenous languages
that he learned from his travels throughout Mexico.
His presentations feature the instruments,
the music, the regalia and the ritual
of various indigenous peoples of Mexico and Mesoamerica
that he learned elbow to elbow from his extensive travels.
He is one of 3 groups of musicians who continue
to record continuously since 1980 with over 100 recordings
of their presentations of the instruments
|
|
~~~~~~~~~~~~~~~~~~~~~~~~~~
1981 thru the 2002
left CAL ARTS and started working full time as a musician
with extensive tours throughout the United States and Canada
playing creative non commercial music
either with
drumset,
marimba,
or
percussion of India
in every musical setting imaginable
PREVIOUS PERFORMANCES
with
christophergarciamusic.weebly.com/previous-performances.html
~~~~~~~~~~~~~~~~~~~~~~~~~~
2002
was recommended for a duo performance
in Pasadena, CA with
a musician I had never met.
Invited to play percussion from India
and the other musician played breath
and string instruments from various parts
of the world.
1 year later he invited me to perform
at a concert with his ensemble
ANCIENT GROOVES
That ensemble included
Malik Sow of Senegal
and
Martin Espino of Los Angeles,
two musicians that I had also never met
On the drive to the concerts from
East Los Angeles with Martin,
we spoke about many things.
It turns out that we had a lot of musical friends in common,
but our names had never been mentioned to each other.
We had been traveling in 2 very different worlds
and our circles had never intersected.
After that performance and long discussions about music,
Martin and I collaborated in two very different musical
endeavors between 2003 and 2012 whenever I was in
Los Angeles, as I was touring 90 days a year in 28 countries
on 5 continents at that time which continues to this day
The ensembles we collaborated on were either
MEXIKA
performing original compositions for indigenous
instruments of Mexico from various regions of Mexico
But MEXIKA rarely did anything traditional and we created
our own rhythmic and ambient sonic landscapes utilizing
the indigenous breath and percussion instruments.
and/or
QUE TAL
10 string guitar and percussion of India and Mexico
Each of us knew how to read and write Western notation
and had practical performance experience playing these
and other Western instruments and improvising in different contextS
(Martin studied classical guitar at Immaculate Heart College
and I attended
CALIFORNIA INSTITUTE OF THE ARTS
on a full scholarship studying western music
and percussion of India)
MEXIKA performed at several concerts and educational lecture
demonstrations mostly in California
(but never outside of the United States)
and usually at libraries and some schools
Information gleaned through study,
and personal contact with various musicos,
danzantes, and artisans, through playing, collaborating,
and lots of reading, research,
studying and verifying that information and more playing.
but I also had incredible opportunities to learn and play with
traditional and classical musicians from
Africa,
China,
India,
Japan,
Lebanon,
Mexico
as well as classical,
jazz and rock musicians
and we started to incorporate
other musical aspects and ingredients
of music along with the indigenous ones that we knew.
1981 thru the 2002
left CAL ARTS and started working full time as a musician
with extensive tours throughout the United States and Canada
playing creative non commercial music
either with
drumset,
marimba,
or
percussion of India
in every musical setting imaginable
PREVIOUS PERFORMANCES
with
christophergarciamusic.weebly.com/previous-performances.html
~~~~~~~~~~~~~~~~~~~~~~~~~~
2002
was recommended for a duo performance
in Pasadena, CA with
a musician I had never met.
Invited to play percussion from India
and the other musician played breath
and string instruments from various parts
of the world.
1 year later he invited me to perform
at a concert with his ensemble
ANCIENT GROOVES
That ensemble included
Malik Sow of Senegal
and
Martin Espino of Los Angeles,
two musicians that I had also never met
On the drive to the concerts from
East Los Angeles with Martin,
we spoke about many things.
It turns out that we had a lot of musical friends in common,
but our names had never been mentioned to each other.
We had been traveling in 2 very different worlds
and our circles had never intersected.
After that performance and long discussions about music,
Martin and I collaborated in two very different musical
endeavors between 2003 and 2012 whenever I was in
Los Angeles, as I was touring 90 days a year in 28 countries
on 5 continents at that time which continues to this day
The ensembles we collaborated on were either
MEXIKA
performing original compositions for indigenous
instruments of Mexico from various regions of Mexico
But MEXIKA rarely did anything traditional and we created
our own rhythmic and ambient sonic landscapes utilizing
the indigenous breath and percussion instruments.
and/or
QUE TAL
10 string guitar and percussion of India and Mexico
Each of us knew how to read and write Western notation
and had practical performance experience playing these
and other Western instruments and improvising in different contextS
(Martin studied classical guitar at Immaculate Heart College
and I attended
CALIFORNIA INSTITUTE OF THE ARTS
on a full scholarship studying western music
and percussion of India)
MEXIKA performed at several concerts and educational lecture
demonstrations mostly in California
(but never outside of the United States)
and usually at libraries and some schools
Information gleaned through study,
and personal contact with various musicos,
danzantes, and artisans, through playing, collaborating,
and lots of reading, research,
studying and verifying that information and more playing.
but I also had incredible opportunities to learn and play with
traditional and classical musicians from
Africa,
China,
India,
Japan,
Lebanon,
Mexico
as well as classical,
jazz and rock musicians
and we started to incorporate
other musical aspects and ingredients
of music along with the indigenous ones that we knew.
2002
thru the present
MEXICA AZTECA
DANZA DRUMMERS
&
DRUMMING
Any danza rhythms or drumming I learned was from the following
drummers and not within the context of MEXIKA which never utilized
danza rhythms in our performances
CLICK ON THE IMAGE
FOR ADDITIONAL INFO
~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~
2002
thru the present
invited to provide Indigenous instrumentation
for
THE LATINO THEATER COMPANYS
LA VIRGEN
DIOS INANZTIN
and Alegria was invited to join the choir
the only child of a choir made up of adults
she was 7 years old
~~~~~~~~~~~~~~~~~~~~~~~~~~
2002
thru the present
invited to provide Indigenous instrumentation
for
THE LATINO THEATER COMPANYS
LA VIRGEN
DIOS INANZTIN
and Alegria was invited to join the choir
the only child of a choir made up of adults
she was 7 years old
~~~~~~~~~~~~~~~~~~~~~~~~~~
|
2002
beyond fortunate to EXPERIENCE GRUPO TRIBU MUSICA @ LA CASA del MEXICANO in EAST LOS ANGELES |
|
SIDENOTE
2002 thru 2024
continue to play
THE MUSIC OF
RANK ZAPPA
drumset
marimba
percussion
voice
with
MOTHERS OF INVENTION ALUMNUS
500 plus concerts
throughout
EUROPE
UNITED KINGDOM
UNITED STATES
SOUTH AMERICA
AUSTRALIA
while continuing to play
marimba
music of North and South India
Indigenous Instruments of Mesoamerica
|
|
2006
INVITED TO PERFORM
my compositions
@
TEATRO DE LA CIUDAD
in
MEXICO CITY
for the first time with
Alex de Grassi and Michael Manring
2008
to the present
ORCHESTRAL RESIDENCIES
and
LECTURES
invited to work with the percussion sections
of the
BAKERSFIELD SYMPHONY
who performed
CARLOS CHAVEZ
SINFONIA INDIA
and
SILVESTRE REVUELTAS
SENSEMAYA
these pieces composed in 1936 for symphony
orchestra and Indigenous instruments continues
to be played worldwide but usually with Western
substitute instrumentsinstead of the Indigenous instruments
it was originally composed for.
We worked elbow to elbow for a few hours in order
to familiarize them with non Western techniques and
I was also invited to give a 10 minute lecture about
the instruments and the composition before we
performed the piece.
Since then I have worked with the following
percussion sections
THE ALL STAR ORCHESTRA
THE BAKERSFIELD SYMPHONY
THE DUPAGE SYMPHONY
THE IPALPITI ORCHESTRA
LOS ANGELES PHILHARMONIC ORCHESTRA
THE UCLA SYMPHONY ORCHESTRA
and several others providing tutelage for the percussion sections
as the instruments do not respond the way Western instruments do
e.g.,
the water drums move when you strike them
the Yaqui hand held drum requires the instrumentalist
to hold the drum with one hand, and strike it with
a stick in the other hand all the while finding
the balance point so that the drum does not lose
its resonance
i.e.,
different techniques which most
orchestral drummers have little to
no experience with
CLICK
on the YOUTUBE below to hear
SINFONIA INDIA
played back to back
1st
with Western Instruments
and then with
Indigenous Instruments
as the piece was originally conceives
by conductor
BRUNO NASCIMIENTO
to the present
ORCHESTRAL RESIDENCIES
and
LECTURES
invited to work with the percussion sections
of the
BAKERSFIELD SYMPHONY
who performed
CARLOS CHAVEZ
SINFONIA INDIA
and
SILVESTRE REVUELTAS
SENSEMAYA
these pieces composed in 1936 for symphony
orchestra and Indigenous instruments continues
to be played worldwide but usually with Western
substitute instrumentsinstead of the Indigenous instruments
it was originally composed for.
We worked elbow to elbow for a few hours in order
to familiarize them with non Western techniques and
I was also invited to give a 10 minute lecture about
the instruments and the composition before we
performed the piece.
Since then I have worked with the following
percussion sections
THE ALL STAR ORCHESTRA
THE BAKERSFIELD SYMPHONY
THE DUPAGE SYMPHONY
THE IPALPITI ORCHESTRA
LOS ANGELES PHILHARMONIC ORCHESTRA
THE UCLA SYMPHONY ORCHESTRA
and several others providing tutelage for the percussion sections
as the instruments do not respond the way Western instruments do
e.g.,
the water drums move when you strike them
the Yaqui hand held drum requires the instrumentalist
to hold the drum with one hand, and strike it with
a stick in the other hand all the while finding
the balance point so that the drum does not lose
its resonance
i.e.,
different techniques which most
orchestral drummers have little to
no experience with
CLICK
on the YOUTUBE below to hear
SINFONIA INDIA
played back to back
1st
with Western Instruments
and then with
Indigenous Instruments
as the piece was originally conceives
by conductor
BRUNO NASCIMIENTO
PROVIDED instruments and tutelage for percussion sections for
ALL STAR ORCHESTRA
DUPAGE SYMPHONY
UCLA SYMPHONY
ALL STAR ORCHESTRA
DUPAGE SYMPHONY
UCLA SYMPHONY
invited by composer/professor
RICARDO LORENZ
to
MICHIGAN STATE UNIVERSITY
to give
MASTER CLASSES
in
percussion
and
composition
RICARDO LORENZ
to
MICHIGAN STATE UNIVERSITY
to give
MASTER CLASSES
in
percussion
and
composition
2011-2013
original compositions
by Christopher Garcia
for
INDIGENOUS INSTRUMENTS
and
WOODWIND QUINTET
LATIN AMERICAN
CHAMBER MUSIC FESTIVAL
1 of several lectures and concerts
with
QUINTETO LATINO
christophergarciamusic.weebly.com/quinteto-latino.html
this is 6 minutes of 70 minutes of music
original compositions
by Christopher Garcia
for
INDIGENOUS INSTRUMENTS
and
WOODWIND QUINTET
LATIN AMERICAN
CHAMBER MUSIC FESTIVAL
1 of several lectures and concerts
with
QUINTETO LATINO
christophergarciamusic.weebly.com/quinteto-latino.html
this is 6 minutes of 70 minutes of music
2011
thru the present
continue to be invited to
UCLA
to either do
concerts
lectures
presentations
etc
thru the present
continue to be invited to
UCLA
to either do
concerts
lectures
presentations
etc
Met Dr. Stevenson many times,
usually after a lecture at Schoenberg Hall.
Would meet him at the faculty lounge.
He would ask
"What hall did you lecture in?"
told him Schoenberg Hall,
he would say
"they should make it mandatory
for the entire school to go,
this work is important"
His work(s) continue to be used and researched.
THANKFUL for all his hard work which continues
to be one of the cornerstones of our work
IF you don't know his works and are
interested in this field of research
PLEASE CHECK THEM OUT
usually after a lecture at Schoenberg Hall.
Would meet him at the faculty lounge.
He would ask
"What hall did you lecture in?"
told him Schoenberg Hall,
he would say
"they should make it mandatory
for the entire school to go,
this work is important"
His work(s) continue to be used and researched.
THANKFUL for all his hard work which continues
to be one of the cornerstones of our work
IF you don't know his works and are
interested in this field of research
PLEASE CHECK THEM OUT
TRAIL BLAZER
Dr. Robert Murrell Stevenson
whose books on Indigenous instruments of
Mexico and Mesoamerica
continue to inspire so many
Dr. Robert Murrell Stevenson
whose books on Indigenous instruments of
Mexico and Mesoamerica
continue to inspire so many
2012
to the present
to the present
invited to play INDIGENOUS INSTRUMENTS
with
MISA AZTECA
composed by
Joseph Julian Gonzalez
In symphonic and chamber music settings
with
MISA AZTECA
composed by
Joseph Julian Gonzalez
In symphonic and chamber music settings
2014
and whenever the stars align
IXONEZTLI Y GARCIA
THE INFINITE EXPANSION OF SOUND
ixoneztliygarcia.weebly.com
and whenever the stars align
IXONEZTLI Y GARCIA
THE INFINITE EXPANSION OF SOUND
ixoneztliygarcia.weebly.com
2014
TO THE PRESENT
invited to BIG SUR
2 miles up a mountain
on 900 acres of untouched land
there are only 3 buildings
on the entire landscape
work with youth
12 to 17 years old
2 1/2 day camps
12 to 20 per camp
they do hikes every day
they are fed 3 times a day
they swim every day
and
they are provided walk in tents
and we play music twice
sometimes three times per day
atop the mountain
by the side of the creek
in the barn
in the house
with the ocean in front of us
and mountains at our back
originally asked to do 2 of 10 camps
then 6 of 8 camps
etc,
surrounded by the
RESONANCE of their own BEINGNESS
no cell phones
no social media
just themselves in their own mirrors
2016
2016
Alegria attends
BELIZE VALLEY ARCHAEOLOGICAL RECONNAISSANCE PROJECT
(BVAR)
with digs and visits to
BELIZE
&
GUATEMALA
with
PROFESSOR JAIME AWE
BELIZE VALLEY ARCHAEOLOGICAL RECONNAISSANCE PROJECT
(BVAR)
with digs and visits to
BELIZE
&
GUATEMALA
with
PROFESSOR JAIME AWE
2016
met
GRUPO TRIBU MUSICA
in East Los Angeles,
in 2002
and become friends
with one of the
generous
humblest
kindest
talented
people
that I have come to know as a
human being and a musician
and share the stage with
Ramiro R Duarte
GRUPO TRIBU MUSICA
in East Los Angeles,
in 2002
and become friends
with one of the
generous
humblest
kindest
talented
people
that I have come to know as a
human being and a musician
and share the stage with
Ramiro R Duarte
|
|
2016
thru the present
GARCIA GODINEZ DUO
aka
MUSIC BEYOND BORDERS
premieres new works
@
EL CASTILLO de CHAPULTEPEC
in
MEXICO CITY
with
Tasha Smith Godinez
original compositions for INDIGENOUS
percussion, breath and string instruments
and
pedal harp
CLICK
on link for additional information
musicbeyondborders.weebly.com/
2017
ALEGRIA
receives a
B.A. in History,
B.S. in Anthropology
and a minor in Education
from the
University of California, Riverside.
ALEGRIA
receives a
B.A. in History,
B.S. in Anthropology
and a minor in Education
from the
University of California, Riverside.
2017
CLICK
ON IMAGE
for additional information
CLICK
ON IMAGE
for additional information
Played indigenous instruments for Nightfire films documentary
OUT OF THE MAYAN TOMBS
(formerly titled
DANCE OF THE MAIZE GOD)
OUT OF THE MAYAN TOMBS
(formerly titled
DANCE OF THE MAIZE GOD)
CONCERTS
in
Mexico City
and
San Miguel de Allende
with
Michael Manring
and
Salomon Maawad
in
Mexico City
and
San Miguel de Allende
with
Michael Manring
and
Salomon Maawad
CONCERTS
SYMPOSIUMS
MEXICA NEW YEAR
in
Los Angeles CA USA
SYMPOSIUMS
MEXICA NEW YEAR
in
Los Angeles CA USA
ALEGRIA RETURNS TO
BVAR.ORG
BVAR.ORG
2018
RESONANCIA
@
CAL ARTS
THE WILD BEAST
this concert premiered
original and traditional compositions
along with
Mexica- Azteca danza and drumming
Indigenous poetry and songs AKA FLOWER SONGS
original INDIGENA CHAMBER MUSIC
for
classical guitar
pedal harp
marimba
and
INDIGENOUS INSTRUMENTS
creating a never before heard
RESONANCIA
not for 1 concert but as a result
of MAKING MUSIC with these instruments
since 2002
in every setting imaginable
christophergarciamusic.weebly.com/resonancia-multi-media.html
CLICK
on image to view link
RESONANCIA
@
CAL ARTS
THE WILD BEAST
this concert premiered
original and traditional compositions
along with
Mexica- Azteca danza and drumming
Indigenous poetry and songs AKA FLOWER SONGS
original INDIGENA CHAMBER MUSIC
for
classical guitar
pedal harp
marimba
and
INDIGENOUS INSTRUMENTS
creating a never before heard
RESONANCIA
not for 1 concert but as a result
of MAKING MUSIC with these instruments
since 2002
in every setting imaginable
christophergarciamusic.weebly.com/resonancia-multi-media.html
CLICK
on image to view link
2018
thru the present
MEXICO ATEMPORAL MUSIC
CLICK
on link for additional information
mexicoatemporalmusic.weebly.com
original compositions for
INDIGENOUS breath, percussion, and string instruments
and
PIANO FORTE
with
Pablo Leñero
in
MEXICO CITY, MX
and
SAN MIGUEL de ALLENDE, MX
thru the present
MEXICO ATEMPORAL MUSIC
CLICK
on link for additional information
mexicoatemporalmusic.weebly.com
original compositions for
INDIGENOUS breath, percussion, and string instruments
and
PIANO FORTE
with
Pablo Leñero
in
MEXICO CITY, MX
and
SAN MIGUEL de ALLENDE, MX
CONCERTS
LECTURES
continue throughout the
UNITED STATES and MEXICO
CLICK
on any image for additional information
LECTURES
continue throughout the
UNITED STATES and MEXICO
CLICK
on any image for additional information
2019
ALEGRIA as president of the
ART HISTORY SOCIETY OF CSULA
introduced
Eduardo de la Cruz Cruz
the only lecture given that day in Nahuatl
with subtitles in
English and Spanish
THE ARRIVAL
OF
STRANGERS SYMPOSIUM
at
THE GETTY
ALEGRIA as president of the
ART HISTORY SOCIETY OF CSULA
introduced
Eduardo de la Cruz Cruz
the only lecture given that day in Nahuatl
with subtitles in
English and Spanish
THE ARRIVAL
OF
STRANGERS SYMPOSIUM
at
THE GETTY
11/8/2019
FLOWER SONGS
DEBUTS AS A FAMILIA
FOR THE FIRST TIME IN MEXICO
@
EL CHARCO del INGENIO
in
SAN MIGUEL DE ALLENDE
500 years to the day that
Moctezuma met Cortes on the causeway
in Mexico City, MX
11/8/1519
CLICK ON IMAGES FOR ADDITIONAL INFORMATION
FLOWER SONGS MUSIC
for the first time
at the same time
as a
FAMILIA
in
TEOTIHUACAN
for the first time
at the same time
as a
FAMILIA
in
TEOTIHUACAN
FLOWER SONGS MUSIC
for the first time
at the same time
in
Museo Nacional de Antropología
for the first time
at the same time
in
Museo Nacional de Antropología
MEXICO ATEMPORAL MUSIC
with special guest
Ramiro R Duarte
@
THE WILD BEAST
with special guest
Ramiro R Duarte
@
THE WILD BEAST
DUO CONCERTS
@
HERB ALPERT CONCERT HALL
LA CA USA
@
HERB ALPERT CONCERT HALL
LA CA USA
2020
RADCLIFFE INSTITUTE OF ADVANCED STUDY
@
HARVARD
invited by Venezuelan composer
Paul Desenne
to be 1 of 19 musicians
to share and talk about our work
with our
contemporaries
most were professors at various universities
Jorge Glen and I were the only musicians
invited without letters after our names
to share and talk about our
WORK
told Paul that since I didn't have letters
after my name that I probably shouldn't be there
his response was
"That's why you have to be there."
and went on to list his reasons
another amazing opportunity
i.e.,
Harvard is a long way from
EAST LOS
ABRAZOS
BENDICIONES
Y
KUDOS
to Paul
for his generosity, hospitality and kindness
RADCLIFFE INSTITUTE OF ADVANCED STUDY
@
HARVARD
invited by Venezuelan composer
Paul Desenne
to be 1 of 19 musicians
to share and talk about our work
with our
contemporaries
most were professors at various universities
Jorge Glen and I were the only musicians
invited without letters after our names
to share and talk about our
WORK
told Paul that since I didn't have letters
after my name that I probably shouldn't be there
his response was
"That's why you have to be there."
and went on to list his reasons
another amazing opportunity
i.e.,
Harvard is a long way from
EAST LOS
ABRAZOS
BENDICIONES
Y
KUDOS
to Paul
for his generosity, hospitality and kindness
FLOWER SONGS MUSIC
1st release
100%
of all downloads go to
INDIGENOUS ARTS ORGANIZATIONS
CDs sold at performance pay
for the recording,
editing,
mixing
and
mastering
1st release
100%
of all downloads go to
INDIGENOUS ARTS ORGANIZATIONS
CDs sold at performance pay
for the recording,
editing,
mixing
and
mastering
2021
FLOWER SONGS MUSIC
invited by GETTY RESEARCH INSTITUTE
to premiere
BOOK Xll of
THE
FLORENTINE
CODEX
COMPLETE READING
IN CONJUNCATION WITH
INAH
UNAM
FLOWER SONGS MUSIC
invited by GETTY RESEARCH INSTITUTE
to premiere
BOOK Xll of
THE
FLORENTINE
CODEX
COMPLETE READING
IN CONJUNCATION WITH
INAH
UNAM
HOLLYWOOD FOREVER CEMETERY
FLOWER SONGS MUSIC
DIA DE LOS MUERTOS CONCERT
on
THE MAIN STAGE
2022
FSM
invited to
AUBURN UNIVERSITY
by
Dr. Ezekiel Stear
to present
INDIGENOUS
CULTURE,
HISTORY,
INSTRUMENTS,
PHILOSOPHY
POETRY and SONG
FSM
invited to
AUBURN UNIVERSITY
by
Dr. Ezekiel Stear
to present
INDIGENOUS
CULTURE,
HISTORY,
INSTRUMENTS,
PHILOSOPHY
POETRY and SONG
ALEGRIA
receives her MA in Art History
with a concentration in Mesoamerican Art
from California State University, Los Angeles
pictured with her Profe/mentor
DR. MANUEL AGUILAR MORENO
and
with her friends from
ART HISTORY SOCIETY OF CSULA
receives her MA in Art History
with a concentration in Mesoamerican Art
from California State University, Los Angeles
pictured with her Profe/mentor
DR. MANUEL AGUILAR MORENO
and
with her friends from
ART HISTORY SOCIETY OF CSULA
DUPAGE SYMPHONY
Part 1
invited to provide
instruments and pedagogy
for their performance of
CARLOS CHAVEZ SINFONIA INDIA
they also purchased a trapan huehuetl
which is now part of their MIXCOACALLI
Part 1
invited to provide
instruments and pedagogy
for their performance of
CARLOS CHAVEZ SINFONIA INDIA
they also purchased a trapan huehuetl
which is now part of their MIXCOACALLI
DUPAGE SYMPHONY
Part 2
rehearsals were all in the evening
mentioned to my host that I would
rather visit schools than sit in a hotel room
waiting for evening rehearsals
THANKS TO
percussionist
WILLIAM JASTROW
for coordinating some 8 school visits in 5 days
the concert was
SOLD OUT
Part 2
rehearsals were all in the evening
mentioned to my host that I would
rather visit schools than sit in a hotel room
waiting for evening rehearsals
THANKS TO
percussionist
WILLIAM JASTROW
for coordinating some 8 school visits in 5 days
the concert was
SOLD OUT
CLICK
on any image
for additional information
invited to work with the percussion sections
of the
ALL STAR ORCHESTRAs
performance of
CARLOS CHAVEZ
SINFONIA INDIA
of the
ALL STAR ORCHESTRAs
performance of
CARLOS CHAVEZ
SINFONIA INDIA
MSU
invited by Professor Ricardo Lorenz
to give
MASTER CLASSES
in percussion and composition
CLICK
on any image for additional information
FLOWER SONGS MUSIC
en
MEXICO
invited to play at
EL CHARCO DEL INGENIO
TEATRO PERALTA
SAN MIGUEL de ALLENDE MUSEO
SAN MIGUEL DE ALLENDE
en
MEXICO
invited to play at
EL CHARCO DEL INGENIO
TEATRO PERALTA
SAN MIGUEL de ALLENDE MUSEO
SAN MIGUEL DE ALLENDE
FLOWER SONGS CONCERTS @ EL CHARCO DEL INGENIO
|
|
CONCERT at TEATRO PERALTA
CONCERT for the
1st INDIGENOUS EXHIBIT
@
MUSEO de SAN MIGUEL de ALLENDE
1st INDIGENOUS EXHIBIT
@
MUSEO de SAN MIGUEL de ALLENDE
|
|
|
|
RADIO PRESENTATION
for a
LIVE AUDIENCE
in
LOS ANGELES
THANKS to DULCE STEIN CURATORIAL
for a
LIVE AUDIENCE
in
LOS ANGELES
THANKS to DULCE STEIN CURATORIAL
CONCERTS
RADIO SHOWS
with
FLOWER SONGS MUSIC
MEXICO ATEMPORAL MUSIC
MUSIC BEYOND BORDERS
RADIO SHOWS
with
FLOWER SONGS MUSIC
MEXICO ATEMPORAL MUSIC
MUSIC BEYOND BORDERS
2023
2nd CD released
100% of all downloads
goes to
INDIGENOUS ARTS ORGANIZATIONS
2nd CD released
100% of all downloads
goes to
INDIGENOUS ARTS ORGANIZATIONS
FLOWER SONGS MUSIC
was invited by the
GETTY RESEARCH INSTITUTE
to help announce
THE DIGITAL FLORENTINE CODEX
which was uploaded to the internet
in its entirety for the first time
was invited by the
GETTY RESEARCH INSTITUTE
to help announce
THE DIGITAL FLORENTINE CODEX
which was uploaded to the internet
in its entirety for the first time
FLOWER
SONGS
MUSIC
CONCERT
@
PASADENA MUSIC CENTER
SONGS
MUSIC
CONCERT
@
PASADENA MUSIC CENTER
Christopher
CONCERT
LECTURE
PRESENTATION
@
CAMBRIDGE UNIVERSITY
UNITED KINGDOM
CONCERT
LECTURE
PRESENTATION
@
CAMBRIDGE UNIVERSITY
UNITED KINGDOM
FSM
SEGERSTROM CENTER FOR THE ARTS PROMO SHOOT
THANKFUL
for the opportunities to continue to present
INDIGENOUS
CULTURE
HISTORY
INSTRUMENTS
POETRY
and
SONGS
for
SEGERSTROM
SEGERSTROM CENTER FOR THE ARTS PROMO SHOOT
THANKFUL
for the opportunities to continue to present
INDIGENOUS
CULTURE
HISTORY
INSTRUMENTS
POETRY
and
SONGS
for
SEGERSTROM
FSM
presented at
EL CAMINO COLLEGE,
WORLD OF MUSIC FESTIVAL
LA CA USA
THANKS to
Dulce Stein for the invitation
presented at
EL CAMINO COLLEGE,
WORLD OF MUSIC FESTIVAL
LA CA USA
THANKS to
Dulce Stein for the invitation
CONCERTS, PRESENTATIONS and SYMPOSIUMS
THANKS
to
BIBLOITECA NACIONAL
GETTY RESEARCH INSTITURE
UNAM
INAH
SOUTHERN CALIFORNIA
ARCHAEOLOGICAL ASSOCIATION
for their continued support
to
BIBLOITECA NACIONAL
GETTY RESEARCH INSTITURE
UNAM
INAH
SOUTHERN CALIFORNIA
ARCHAEOLOGICAL ASSOCIATION
for their continued support
INVITED to present for
INAH
and
SOUTHERN CALIFORNIA ARCHAEOLOGY ASSOCIATION
@
Museo Histórico Regional de Ensenada
the 1st time these organizations have
joined hands to do a presentation
an honor to be asked us to present
INAH
and
SOUTHERN CALIFORNIA ARCHAEOLOGY ASSOCIATION
@
Museo Histórico Regional de Ensenada
the 1st time these organizations have
joined hands to do a presentation
an honor to be asked us to present
MEXICO ATEMPORAL MUSIC
CONCERTS CONTINUE
throughout California
CONCERTS CONTINUE
throughout California
CLICK
on the YOUTUBE below to hear
a history of performance practices for
SINFONIA INDIA
during ARTist RESIDENCY for
THE DUPAGE SYMPHONY
and
again for the
ALL STAR ORCHESTRA
on the YOUTUBE below to hear
a history of performance practices for
SINFONIA INDIA
during ARTist RESIDENCY for
THE DUPAGE SYMPHONY
and
again for the
ALL STAR ORCHESTRA
2024
presentation for
LA PEÑA
in
Berkley CA
LA PEÑA
in
Berkley CA
presentation for
MONTEREY HISTORICAL SOCIETY
THANKS
to
Professor Ruben Mendoza
Phd.,RPA
MONTEREY HISTORICAL SOCIETY
THANKS
to
Professor Ruben Mendoza
Phd.,RPA
INDIGENOUS PEOPLES DAY CELEBRATION
TUJUNGA CA USA
|
|
INDIGENOUS PEOPLES DAY CELEBRATION
@
THE GETTY
Los Angeles, CA USA
@
THE GETTY
Los Angeles, CA USA
|
|
GETTY PODCAST
INTERVIEW and TRANSCRIPT
CLICK
on image to listen
FLOWER SONGS MUSIC
WORLD PREMIERE
for
INDIGENOUS
BREATH
PERCUSSION
STRING
INSTRUMENTS
piano forte
marimba
pedal harp
violin
poetry
and
voice
for the
RESONANCE COLLECTIVE
with
FLOWER SONGS MUSIC
with special guests
PABLO LEÑERO - PIANO FORTE
TASHA SMITH GODINEZ - PEDAL HARP
HARRY SCORZO - VIOLIN
WORLD PREMIERE
for
INDIGENOUS
BREATH
PERCUSSION
STRING
INSTRUMENTS
piano forte
marimba
pedal harp
violin
poetry
and
voice
for the
RESONANCE COLLECTIVE
with
FLOWER SONGS MUSIC
with special guests
PABLO LEÑERO - PIANO FORTE
TASHA SMITH GODINEZ - PEDAL HARP
HARRY SCORZO - VIOLIN
2025
RECEIVED A COMMISSION FROM
LOS ANGELES COUNTRY DEPT
OF ARTS AND CULTURE
LA COUNTY is pleased to mark a significant cultural milestone
with the installation of its first permanent sound artworks
at Atlantic Avenue Park and Athens Park.
These artworks will present a unique auditory
experience located in an unconventional setting:
inviting a reevaluation of how and where
art can intersect with public life.
The choice of location plays a critical role
in democratizing access to art,
making it a part of everyday experience
rather than something encountered
only in traditional venues.
This approach not only broadens the audience’s
interaction with art but alsointegrates it seamlessly into
daily routines,
prompting reflections onhistory and culture
in moments typically devoid of such considerations.
LOS ANGELES COUNTRY DEPT
OF ARTS AND CULTURE
LA COUNTY is pleased to mark a significant cultural milestone
with the installation of its first permanent sound artworks
at Atlantic Avenue Park and Athens Park.
These artworks will present a unique auditory
experience located in an unconventional setting:
inviting a reevaluation of how and where
art can intersect with public life.
The choice of location plays a critical role
in democratizing access to art,
making it a part of everyday experience
rather than something encountered
only in traditional venues.
This approach not only broadens the audience’s
interaction with art but alsointegrates it seamlessly into
daily routines,
prompting reflections onhistory and culture
in moments typically devoid of such considerations.
|
|
MARCH
3/17/25
FLOWER SONGS MUSIC
MEXICO ATEMORAL MUSIC
with very special guest
RAMIRO R DUARTE
@
EL CAMINO COLLEGE
ESMOA
CAL CREATIVE ACADEMY
3/17/25
FLOWER SONGS MUSIC
MEXICO ATEMORAL MUSIC
with very special guest
RAMIRO R DUARTE
@
EL CAMINO COLLEGE
ESMOA
CAL CREATIVE ACADEMY
3/22/25
FLOWER SONGS MUSIC
invited by
CSULA AHS SYMPOSIUM
AT THE CROSSROADS OF CIVILIZATION:
THE CULTURES OF WEST MEXICO THRU TIME
honoring
Dr Manuel Aguilar Moreno and Dr John Pohl
FLOWER SONGS MUSIC
invited by
CSULA AHS SYMPOSIUM
AT THE CROSSROADS OF CIVILIZATION:
THE CULTURES OF WEST MEXICO THRU TIME
honoring
Dr Manuel Aguilar Moreno and Dr John Pohl
3/24/25
INVITED by
CLOVIS COMMUNITY COLLEGE
professor
Tony Gennaro
to premiere
ORIGINAL CHAMBER COMPOSITIONS
for
INDIGENOUS
BREATH
PERCUSSION
and
STRING INSTRUMENTS
VOICE
CHOIR
PERCUSSION ENSEMBLE
PIANO FORTE
INVITED by
CLOVIS COMMUNITY COLLEGE
professor
Tony Gennaro
to premiere
ORIGINAL CHAMBER COMPOSITIONS
for
INDIGENOUS
BREATH
PERCUSSION
and
STRING INSTRUMENTS
VOICE
CHOIR
PERCUSSION ENSEMBLE
PIANO FORTE
MAY
5/3/SATURDAY
CSULA
ART HISTORY SYMPOSIUM
ON THE HISTORY OF THE
MESOAMERICAN BALLGAME
held at
CSULA
STUDENT UNION THEATER BUILDING
5151 State University Dr,
Los Angeles, CA 90032 Phone: (323) 343-3000
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5/10/SATURDAY
free concert
@
EAST LOS ANGELES CIVIC CENTER
on the lake stage
to share the
INDIGENOUS
Accomplishments
Culture
Heritage
History
Instruments
Songs
Thought
in multiple Indigenous languages
in celebration of
Christopher receiveing the first commission
bestowed by
LA COUNTY ARTS COMMISSION
5/3/SATURDAY
CSULA
ART HISTORY SYMPOSIUM
ON THE HISTORY OF THE
MESOAMERICAN BALLGAME
held at
CSULA
STUDENT UNION THEATER BUILDING
5151 State University Dr,
Los Angeles, CA 90032 Phone: (323) 343-3000
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5/10/SATURDAY
free concert
@
EAST LOS ANGELES CIVIC CENTER
on the lake stage
to share the
INDIGENOUS
Accomplishments
Culture
Heritage
History
Instruments
Songs
Thought
in multiple Indigenous languages
in celebration of
Christopher receiveing the first commission
bestowed by
LA COUNTY ARTS COMMISSION
JUNE
6/3/TU
6/10/TU
FLOWER SONGS PRESENTATIONS
flowersongsmusic.weebly.com/about.html
flowersongsmusic.weebly.com/press.html
Presented by
SEGERSTROM CENTER
ARTS TEACH PROGRAM
for
ANAHEIM UNIFIED SCHOOL DISTRICT
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6/14/SA
PANORAMA CITY BRANCH
FLOWER SONGS MUSIC
FREE TO THE PUBLIC
flowersongsmusic.weebly.com/about.html
flowersongsmusic.weebly.com/press.html
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6/17/TU
6/18/WED
6/19/TH
RESONANCIA SOLO
INDIGENOUS
PRIVATE PRESENTATIONS
BIG SUR
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6/24/TU
6/25/WED
6/26/TH
RESONANCIA SOLO
INDIGENOUS
PRIVATE PRESENTATIONS
BIG SUR
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6/29/SA
FLOWER SONGS MUSIC
Boronda Adobe History Center
333 Boronda Road,
Salinas, CA 93907
in conjunction with
THE MONTEREY HISTORICAL SOCIETY
For additional information about the Center,
see our website at
https//mchsmuseum.com/
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
JULY
7/15/TU
7/16/WED
7/17/TH
RESONANCIA SOLO
INDIGENOUS
PRIVATE PRESENTATIONS
BIG SUR
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7/23/WED
FLOWER SONGS MUSIC
@
PHILOSOPHICAL RESEARCH SOCIETY
3910 Los Feliz Blvd,
Los Angeles, CA 90027
www.eventbrite.com/e/flower-songs-xochi-cuicatl-flor-y-canto-tickets-1400554057889?aff=oddtdtcreator
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6/3/TU
6/10/TU
FLOWER SONGS PRESENTATIONS
flowersongsmusic.weebly.com/about.html
flowersongsmusic.weebly.com/press.html
Presented by
SEGERSTROM CENTER
ARTS TEACH PROGRAM
for
ANAHEIM UNIFIED SCHOOL DISTRICT
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6/14/SA
PANORAMA CITY BRANCH
FLOWER SONGS MUSIC
FREE TO THE PUBLIC
flowersongsmusic.weebly.com/about.html
flowersongsmusic.weebly.com/press.html
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6/17/TU
6/18/WED
6/19/TH
RESONANCIA SOLO
INDIGENOUS
PRIVATE PRESENTATIONS
BIG SUR
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6/24/TU
6/25/WED
6/26/TH
RESONANCIA SOLO
INDIGENOUS
PRIVATE PRESENTATIONS
BIG SUR
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6/29/SA
FLOWER SONGS MUSIC
Boronda Adobe History Center
333 Boronda Road,
Salinas, CA 93907
in conjunction with
THE MONTEREY HISTORICAL SOCIETY
For additional information about the Center,
see our website at
https//mchsmuseum.com/
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
JULY
7/15/TU
7/16/WED
7/17/TH
RESONANCIA SOLO
INDIGENOUS
PRIVATE PRESENTATIONS
BIG SUR
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7/23/WED
FLOWER SONGS MUSIC
@
PHILOSOPHICAL RESEARCH SOCIETY
3910 Los Feliz Blvd,
Los Angeles, CA 90027
www.eventbrite.com/e/flower-songs-xochi-cuicatl-flor-y-canto-tickets-1400554057889?aff=oddtdtcreator
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AUGUST
8/10/SU
CROCKER ART MUSEUM
presents
MEXICO ATEMPORAL MUSIC
www.crockerart.org/events/season/classical-concert-mexico-atemporal
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8/13/WE
THE AMAPOLA PLAYERS
XOCHI CUICATL
FLOWER SONGS MUSIC
@
PARSON’S NOSE THEATER
95 N Marengo Ave,
Pasadena, CA 91101
Entrance on Holly
as part of the
LEGENDS and LOCALS SERIES
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8/16/SA
PGG
@
ALVAS
1417 W 8th St, San Pedro, CA 90732
8/16/SAT
@
Alvas Showroom
A high energy power trio blending rock, blues and fusion.
PGG performs vocal and instrumental tunes, playing original music
as well as selections by Cream and The Yardbirds.
The band members have performed with
OHM, Steve Vai, Frank Gambale
Zappa’s Mother’s, CONTINUUM
L Shankar, Bobby Bradford,
KOSAKO/MANRING/GARCIA TRIO - KOMAGA
Michael Vlatkovich
the Bergen Filharmonik,
Cyro Baptista,
the Trondheim Solistene,
the LA PHIL,
the YELLOW STRING QUARTET
https://alvasshowroom.com/events/
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SEPTEMBER
FLOWER SONGS MUSIC
returns to
OPEN GATE THEATRE
1 of 2 ensemble to ever have a standing ovation
in it's 20 plus history
(they had another standing ovation at the end of this event as well)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FLOWER SONGS MUSIC
invited to play at
AZUSA CITY HALL PARK
OCTOBER
10/7/TU
private presentation
in
Fullerton CA
thru
SEGERSTROM CENTER FOR THE ARTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FLOWER SONGS MUSIC
in
CLOVIS CA
10/12/SU
FSM CONCERT
@
UNITARIAN UNIVERSALIST CHURCH OF FRESNO
https://www.uufresno.org/
@
7 PM
~~~~~~~~~~~~~~~~~~~~~~~~~~
10/13/MO
FSM CONCERT
CLOVIS COMMUNITY COLLEGE
AC-1 150 at Clovis Community College
@
3:00pm
Talk with Music Theory Students
5:00pm
Gallery Reception
6:00 PM
CONCERT
~~~~~~~~~~~~~~~~~~~~~~
10/14/TU
ARTISTS TALK
Clovis Community College AC-1 150
10:00-11:30am
Open to Everyone
~~~~~~~~~~~~~~~~~~~~~~
8/10/SU
CROCKER ART MUSEUM
presents
MEXICO ATEMPORAL MUSIC
www.crockerart.org/events/season/classical-concert-mexico-atemporal
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8/13/WE
THE AMAPOLA PLAYERS
XOCHI CUICATL
FLOWER SONGS MUSIC
@
PARSON’S NOSE THEATER
95 N Marengo Ave,
Pasadena, CA 91101
Entrance on Holly
as part of the
LEGENDS and LOCALS SERIES
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8/16/SA
PGG
@
ALVAS
1417 W 8th St, San Pedro, CA 90732
8/16/SAT
@
Alvas Showroom
A high energy power trio blending rock, blues and fusion.
PGG performs vocal and instrumental tunes, playing original music
as well as selections by Cream and The Yardbirds.
The band members have performed with
OHM, Steve Vai, Frank Gambale
Zappa’s Mother’s, CONTINUUM
L Shankar, Bobby Bradford,
KOSAKO/MANRING/GARCIA TRIO - KOMAGA
Michael Vlatkovich
the Bergen Filharmonik,
Cyro Baptista,
the Trondheim Solistene,
the LA PHIL,
the YELLOW STRING QUARTET
https://alvasshowroom.com/events/
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SEPTEMBER
FLOWER SONGS MUSIC
returns to
OPEN GATE THEATRE
1 of 2 ensemble to ever have a standing ovation
in it's 20 plus history
(they had another standing ovation at the end of this event as well)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FLOWER SONGS MUSIC
invited to play at
AZUSA CITY HALL PARK
OCTOBER
10/7/TU
private presentation
in
Fullerton CA
thru
SEGERSTROM CENTER FOR THE ARTS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FLOWER SONGS MUSIC
in
CLOVIS CA
10/12/SU
FSM CONCERT
@
UNITARIAN UNIVERSALIST CHURCH OF FRESNO
https://www.uufresno.org/
@
7 PM
~~~~~~~~~~~~~~~~~~~~~~~~~~
10/13/MO
FSM CONCERT
CLOVIS COMMUNITY COLLEGE
AC-1 150 at Clovis Community College
@
3:00pm
Talk with Music Theory Students
5:00pm
Gallery Reception
6:00 PM
CONCERT
~~~~~~~~~~~~~~~~~~~~~~
10/14/TU
ARTISTS TALK
Clovis Community College AC-1 150
10:00-11:30am
Open to Everyone
~~~~~~~~~~~~~~~~~~~~~~
10/23/TH
FLOWER SONGS
@
EL CAMINO COLLEGE
~~~~~~~~~~~~~~~~~~~~~~
10/28/TU
FLOWER SONGS
@
SANTA MONICA
PRIVATE PRESENTATION
NOT OPEN TO THE PUBLIC
~~~~~~~~~~~~~~~~~~~~~~
NOVEMBER
FLOWER SONGS MUSIC
11/3 THRU 11/7
PRIVATE PRESENATIONS
JOSHUA TREE
~~~~~~~~~~~~~~~~~~~~~~
11/8/SA
@
ENCINO LIBRARY
FREE TO THE PUBLIC
~~~~~~~~~~~~~~~~~~~~~~
FLOWER SONGS MUSIC
11/12 THRU 11/16
PRIVATE PRESENATIONS
JOSHUA TREE
~~~~~~~~~~~~~~~~~~~~~~
11/19 THRU 11/21
REDCAT THEATRE
WALT DISNEY CONCERT HALL
BECOMING THE MOON
TECCEZTECATL MYTH
brought to the stage
by LU COY
FLOWER SONGS
@
EL CAMINO COLLEGE
~~~~~~~~~~~~~~~~~~~~~~
10/28/TU
FLOWER SONGS
@
SANTA MONICA
PRIVATE PRESENTATION
NOT OPEN TO THE PUBLIC
~~~~~~~~~~~~~~~~~~~~~~
NOVEMBER
FLOWER SONGS MUSIC
11/3 THRU 11/7
PRIVATE PRESENATIONS
JOSHUA TREE
~~~~~~~~~~~~~~~~~~~~~~
11/8/SA
@
ENCINO LIBRARY
FREE TO THE PUBLIC
~~~~~~~~~~~~~~~~~~~~~~
FLOWER SONGS MUSIC
11/12 THRU 11/16
PRIVATE PRESENATIONS
JOSHUA TREE
~~~~~~~~~~~~~~~~~~~~~~
11/19 THRU 11/21
REDCAT THEATRE
WALT DISNEY CONCERT HALL
BECOMING THE MOON
TECCEZTECATL MYTH
brought to the stage
by LU COY
